Tag: camera

  • the crash

    One of the feet of my grandparents’ 1940s couch…the couch lives in our bedroom now, but this photo was taken as part of a series I did several years ago called One Hundred Sixteen.

    Yeah.

    I’ve given up cheese and bread and most processed foods. Most of the things I’ve survived on for the 46 years of my life.

    So it stands to reason that when I get hungry, and let too much time go between meals, I’d get a little despondent.

    Several years ago, probably in 2016 or so, I thought I was dying. I’d had radioactive iodine ablation therapy on my thyroid the year before, and my thyroid levels were not leveling out as they should have. And my calcium levels were high, and I felt terrible, and my endocrinologist was not sure there wasn’t something screwy going on with my pituitary gland….

    And I took several of the photos I’d taken in the five years’ prior, and converted them all to black and white and made them into square formats, and made a photo book out of them, and called the project One Hundred Sixteen, related to our address at the time. And I had Ilford silver gelatin prints made of all the photos in the book…..I wanted my husband and kids to have the best of what I had done with the previous five years, in photos, things that my eye had captured over the years.

    The photo above is one of those photos included in the book and prints.

    And that is how we came to have a crap ton of silver gelatin prints of my early work around the house, and even more live in a drawer in our dining room now, just taking up space.

    I don’t have the exif data from that file above, since it’s so heavily altered. But if I had to guess, I took that photo above with a Fuji X-T2 and probably the 56mm f1.2 lens or the 35mm f2 lens. Around that time period all I would have had was the 16mm, the 56mm, the 35mm f2, and the 90mm, all Fuji X Series native lenses. It was for sure either the Fuji X-T2 or the Fuji X-Pro 2 camera.

    I laid down for a nap earlier this afternoon because I was tired, and when I woke up I was in an awful, teary state.

    I sold off 4 GFX lenses and the second GFX 50sII body this summer, and now I deeply regret it.

    If I had the second body, I could go around with both Cinelux lenses on.

    If I had the 45-100mm and the 100-200mm lenses, I could better do wildlife photography.

    But at the time, I had things I wanted to do and we sort of needed the money and well…. so they went.

    And so my meltdown earlier today was about that, and was also about the fact that while nobody paying me doesn’t mean I’m not a photographer, I also realized what I have given up in closing down my business. Even if it cost massive amounts of money I never made with it.

    I miss people asking me to take pictures of things, and I miss even more having the gear I had to be able to do so.

    Now, arguably, the X-S20 is better for some of that than the GFX gear.

    But once you have shot with a medium format camera….it’s hard to go back.

    It’s sort of like people who have to downgrade lifestyle stuff.

    And I have worked hard these past couple of weeks. Our house isn’t perfectly clean but it is better. The window coverings situation is certainly better, having a dedicated laundry day is better, Nancy is better, having the garage emptied out feels better…..

    Having the garage empty means I can get back to my studio selfies. I should plan to do that in the next couple of days.

    But then I got through with my pity party enough to go make myself my smoothie– almond milk, wild blueberries, spinach powder, and a banana– and two sips into my smoothie it hit me:

    I was despondent because I was hungry.

    HA.

    Y’all, I am so used to processed foods and cheese and all the yummy goodness. But the things I am eating (today’s breakfast was late and it was almond flour crackers, decaf coffee with marine collagen, and walnut pieces, and I did allow myself a protein bar this morning)….. they metabolize faster. And take more preparation than just grabbing a string cheese and a protein bar, or some goat cheese and sunflower seeds……

    *sigh*

    I do feel better. I went to bed not depressed last night. It was nice to just know it was time to go to bed and not feel like the world was ending, or like someone was out to get me, a frequent feeling late at night.

    And there is personal drama I don’t care to go into going on, both for me and for Jared, and there’s just a lot going on.

    And I don’t feel particularly inspired to pick up my cameras, even if I pine away over gear I parted with.

    It all feels manufactured and pointless. Jared takes me to the Marina and I sit there with the camera in my hand and remember, not even really seeing what is in front of me.

    And honestly, the sunrise photos at the Marina and the duck pictures in the evening are boring at this point.

    It’s time for a personal project. And a reckoning.

  • i can’t

    When our neighbor, Mrs. Simmons, died, her daughter graciously gave us her grandfather clock

    Ugh.

    I have tried every which way to think of ways I could make do with just the Fuji X-S20. I really have.

    I did a free session for some friends the other day and I was absolutely certain upon seeing the outcome of those photos that the X-S20 was fine as an only camera.

    And then, in my Facebook memories, I came up on a selfie I took 3 years ago in which I proclaimed that if I could shoot monochrome with only the Cinelux lens on the GFX 50sII, I 100% would.

    *sigh*

    The photo of Mrs. Simmons’ clock above, that lives in our foyer, was shot with that very combination– the Cinelux lens and the GFX 50sII. My house is not in very photo-worthy condition right now, but the reflections in that clock face absolutely tell me all I need to know about that Cinelux lens and that GFX 50sII. The shadow and bokeh behind the clock tell the rest.

    I can’t sell the GFX 50sII. I just cannot do it.

    I might be able to part with the 80mm f1.7 eventually. I am feeling a deep call to use my manual focuses lenses right now; the 50mm f2 Minolta is on the X-S20 right now.

    I’d really, really hoped I could let go of the GFX. I am feeling a strong call to be sensible and responsible in light of quitting the job.

    But, with no business and nobody really to answer to anymore with my photography, now is my chance. I can shoot all day everyday in black and white with that beautiful Schneider-Kreuznach Cinelux-Ultra lens on the GFX and nobody is going to say a word about it.

    The X-S20 can be for when I want to do free sessions for friends, which I know I will want to continue to do.

    Choice causes me paralysis. This is why I really did think about sending the X-S20 back altogether; I think my growth as an artist is going to be in restricting my tools.

    Though, it does bring me more peace, now that the decision not to sell the GFX 50siI has been made for now. Jared has been telling me for weeks that I shouldn’t feel pressured to let go of the GFX 50sII and now I know he is right.

    I should listen to my husband more often. He should make note of the fact that I have said this in writing here, today.

  • finding focus even when the camera won’t

    Four weeks and two days after my hysterectomy, I am finally feeling okay enough to do some light exercise. So, today:

    • five minutes on the stationary bike
    • 20 chest fly’s
    • 15 reps of my five physical therapy stretch band arm exercises

    I’m feeling pretty great about all that, if a little tired after.

    Jared and I got out to the lake last night and I got a sort-of interesting shot with the help of some lens flare:

    I was feeling sort of bummed last night. At the lake, I also tested some of my lenses on one of my cameras that has been fussy about its autofocus capabilities lately…..as in, sometimes the autofocus doesn’t work. I’d been planning to sell one of my cameras to help pay down some of our debt, but obviously I can’t sell a camera that might not be at its best. And I would send it to Edison, NJ for repair if I could reliably get the problem to replicate but it doesn’t always malfunction. So when I took this photo, I was sort of in a mood. The lens flare, though somewhat interesting, also captured the hazy frustration I was feeling.

    But this morning, I remembered that I do have a good number of manual focus lenses: I love my Minolta and my Cinelux lenses! And, the camera works just fine in manual focus. So, it appears that moving forward I will simply have a manual focus Fuji GFX camera and a GFX camera that I use my native lenses with. Not ideal for my plan to pay down our debt, but it does make use of my current gear and is probably a pretty darn good plan moving forward.

    Sometimes I have brief flickers of just selling all my photo gear and getting out of photography altogether. I know that is not likely healthy, and I know I’d likely just want to start up again probably less than a year after I got out.

    I know the answer: Get out and photograph more.

    You can read more about me here.